Songs of innocence and experience: Verdi’s Falstaff at Garsington

Bruno Ravella’s fast-paced direction for Garsington Opera honours Falstaff’s intense immediacy with a clear emphasis on dynamic physical and visual comedy underpinned by taut stagecraft, while still allowing time for its vital moments of pathos to breathe on stage in this subtle, elegant production. Henry Waddington’s dextrous characterisation means Falstaff’s connection to Rigoletto, another Verdi tortured clown, feels unmistakeable.

Click here to read my full review on Bachtrack.

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