Songs of innocence and experience: Verdi’s Falstaff at Garsington

Bruno Ravella’s fast-paced direction for Garsington Opera honours Falstaff’s intense immediacy with a clear emphasis on dynamic physical and visual comedy underpinned by taut stagecraft, while still allowing time for its vital moments of pathos to breathe on stage in this subtle, elegant production. Henry Waddington’s dextrous characterisation means Falstaff’s connection to Rigoletto, another Verdi tortured clown, feels unmistakeable.…

Verdi meets The Queen Vic: an uproarious Falstaff from Fulham Opera

Fulham Opera’s Falstaff opens in a modern day pub: crisps are on the table, children are playing with mobile phones, and Falstaff himself is in tracksuit bottoms. It’s effectively a case of Verdi meets The Queen Vic, soaked in a London underworld atmosphere of wideboys, semi-functional alcoholics and glossy Essex beauties. Directed by Daisy Evans, the action…