The little-known Cendrillon of Franco-Maltese composer Nicolò Isouard is the opera on which Rossini based his blockbuster hit La Cenerentola, which swiftly pitched Isouard’s Cendrillon into obscurity. On the opening…
Julia Faulkner soprano Anne Sofie von Otter mezzo-soprano Matthew Rose bass John Fisher piano Kristian Bezuidenhout fortepiano Singers and pianists from the Britten–Pears Young Artist Programme (Starts 2:30pm; ends approx 5.30pm) Ahead of their recital on…
John Fisher piano Julia Faulkner soprano Matthew Rose bass Singers and pianists from the Britten–Pears Young Artist Programme (Starts at 2:30pm; ends approx. 5.30pm) A stellar trio of tutors come together with exceptional young…
‘And then they found me guilty, and then they pronounced me invisible, for a span of one year’ Robert Silverberg, To See the Invisible Man Condemned for a ‘crime of…
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace. Jonathan Kent’s production for The Royal…
Some people get terribly, passionately serious about Wagner. This shouldn’t be a problem: truly great music of all kinds tends to attract obsessive adulation, especially whenever the artist is a…
A little reflection, a little Greek myth-busting: my short article for Bachtrack traces Classical influences in opera, from the art form’s earliest beginnings to our latest contemporary works. Please click…
Opera Naked is cool, confessional cabaret from a singer’s point of view. Absolute devotion and dedication to opera – in the face of financial disaster, parental disapproval, physical problems and…
Simon Callow’s new show, part of the Deloitte Ignite Verdi/Wagner festival, curated by Stephen Fry, makes the strong and valid point that the reason some people hate Wagner so much…
A glorious, desperate love story with a dark twist, set in and starring a memorable river created by a trio of fabulous sopranos, Dart’s Love is a treat for the eyes and…