Vivacious, Victorian, and very good fun: Ruddigore, Gilbert & Sullivan, Southgate Opera

We tend to think of Victorian society as morally strict, judgemental, and socially tense: and Gilbert and Sullivan’s Ruddigore, while confirming all the above, savagely pokes fun at Victorian ideals of social and moral perfection, pushing stereotypes to extremes in order to satirise the question of private and public goodness from all sorts of different…

Fascism, fun and fury: Accidental Death of an Anarchist, Dario Fo

Before the glitzy, transient landscape of Fake News, we had the sinister reign of “alternative facts.” Dario Fo’s sardonic, wisecracking black farce, performed at the Sewell Barn Theatre in Gavin Richards’ fast-paced, swearword-strewn English adaptation (as approved by Fo himself) finds three Italian policemen frantically trying to get their story right after an anarchist they…