Operissima

Charlotte Valori reviews opera & theatre: in East Anglia and beyond…

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Author Archives: operissimawhispers

Une princesse inconnue: Isouard’s Cendrillon, Bampton Classical Opera

The little-known Cendrillon of Franco-Maltese composer Nicolò Isouard is the opera on which Rossini based his blockbuster hit La Cenerentola, which swiftly pitched Isouard’s Cendrillon into obscurity. On the opening…

July 23, 2018 in Opera.

Everybody loves David: Handel’s Saul at Glyndebourne

Barrie Kosky’s vividly abstract production of Saul for Glyndebourne embraces every emotional detail of this dramatic oratorio, from its exhilarating choruses to its raw, intimate family scenes. Kosky adds voices beyond…

July 20, 2018 in Baroque, Oratorio.

A game of two halves: Ariadne auf Naxos at Longborough

Should divine visions of philosophical beauty be cut short by practical things like food or fireworks? Strauss’ Ariadne auf Naxos is an opera of two worlds in collision, and Anthony…

July 16, 2018 in Opera.

Shivers up and down the spine: David Sawer’s The Skating Rink at Garsington

In a small seaside town in Spain, on a grubby campsite near the beach, lust and murder – opera’s two key ingredients – are fomenting under the sweltering sun, pulling…

July 7, 2018 in New writing, Opera.

Queen’s dating dilemma: Handel’s Partenope at Iford

Partenope is a perfect comic storm of seduction, jealousy, fidelity and infidelity, gender-bending and downright skulduggery, anchored in the sharp human tension of true love. Many of these tropes are familiar…

July 6, 2018 in Baroque, Opera.

Shame, camera, action: Verdi’s La traviata at Longborough

Heavyweight opera behemoth /institution La traviata is always in need of agile, intelligent reworkings like Longborough’s intriguing new production. Daisy Evans’ incisive update makes Violetta Valéry a Hollywood filmstar in the late Fifties,…

June 28, 2018 in Opera.

Songs of innocence and experience: Verdi’s Falstaff at Garsington

Bruno Ravella’s fast-paced direction for Garsington Opera honours Falstaff’s intense immediacy with a clear emphasis on dynamic physical and visual comedy underpinned by taut stagecraft, while still allowing time for its vital moments of…

June 19, 2018 in Opera.

Pastel-perfect hell: To See The Invisible at the Aldeburgh Festival

In 1963, Robert Silverberg published To See The Invisible Man, a dystopian short story in which an individual is punished for “the crime of coldness” by a judicially enforced loneliness, a…

June 11, 2018 in New writing, Opera.

Preview: Waterperry Opera Festival

It’s not every summer England sees a brand new garden opera festival coming to life. Waterperry Opera Festival is not only new, but innovative and ambitious, opening with a range…

June 1, 2018 in Opera, Season Preview.

Escape to the country: Bernstein’s Candide at Iford

This whirling, high-energy collaboration between Iford Arts and Opera Della Luna packs every possible punch in a furiously creative evening of constant costume changes, an endlessly reassembling set, and above…

June 1, 2018 in Operetta.

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