Like Glyndebourne’s recent Rinaldo, Longborough’s Magic Flute seems to take shape as a young boy’s daydream, or perhaps the world of his storybook coming to life in his imagination. A sense of dreamlike surrealism never quite fades from the stage: magic feels real in Thomas Guthrie’s vivid production, thanks to the skilful use of puppetry throughout the…
Among the many operas in the canon thrumming with drama and violence, Jenůfa remains notably dark, shocking in its bleak brutality, barely relieved by a final discovery of true love which only comes to the shattered characters at an appalling price. Consequently, Jenůfa presents a real challenge for directors, because if the tension drops for even a few seconds…
Sharply styled in modern colours over a traditional 18th century setting, with some truly inspired lighting by Wayne Dowdeswell, Longborough ’s Barber of Seville does not seek to break the mould of this old Rossini favourite, but rather to give it a good airing in polished style which everyone can enjoy. Click here to read…