Dimness before dawn: Noah Mosley’s Aurora

If Aylin Bozok is directing anything at Grimeborn, I always try to go. I’ve been absolutely blown away by her past productions: her powerfully considered, exquisitely poised approach is always rich in symbolism, intensely crafted in detail, and beautifully acted. Grimeborn has seen some wonderful opera from Bozok in recent years: her Pelléas et Mélisande and Werther there remain…

Divine passion: Saint-Saëns’ Samson and Delilah, Grimeborn

Aylin Bozok’s productions of French opera for Grimeborn have all been marked by their elegance, restraint and psychological intensity. Bozok exchanges the orchestra for a piano accompaniment (played here with plangent, unmistakeable panache by Kelvin Lim), keeps the singing in French but projects a clear English translation above the stage, and places our focus squarely…