Operissima

Charlotte Valori reviews opera & theatre: in East Anglia and beyond…

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Fringe

Seeing is believing: The Blank Canvas by Spyros Syrmos

Charles Bonnet syndrome gives its patients random or recurring hallucinations while they are entirely conscious, without upsetting their mental balance, although the very appearance of the hallucinations can naturally lead…

September 8, 2014 in Fringe, New writing, Opera.

Minimalise this: Verdi’s Rigoletto by Opera Loki

Opera Loki’s vision for Rigoletto is strongly Victorian, with white painted faces, stage makeup and traditional, yet simple costumes. Directed by Rae Leaver, the production’s vision is that of “a ragged group…

September 6, 2014 in Fringe, Opera.

Biting the hand that feeds: Madame X at Grimeborn

Masetto (now an impoverished immigrant artist, more reminiscent of Puccini’s poet Rodolfo than Mozart’s Masetto) and Zerlina (all girlish scruples definitely removed, along with most of her charm) encounter Don Giovanni…

August 29, 2014 in Fringe, New writing, Opera.

Pseud Psychic: Gian Carlo Menotti’s The Medium at Grimeborn

OperaView have created a small and intense production in which Menotti’s music comes across clearly: a ravishing piano accompaniment, played by Maite Aguirre, veers from schmaltzy sweetness, reminiscent of a…

August 18, 2014 in Fringe, Opera.

A gloriously inventive night at Tête à Tête: Psyche, On the Axis Of This World and Encounters In The Republic Of Heaven

Psyche – Alex Groves Psyche asks us to get up close and personal with opera (alone, barefoot and blindfolded) for ten minutes, and the results are, to me, spine-tingling. On…

August 14, 2014 in Fringe, New writing, Opera.

The Shetland Isles are “Full of Noises”: Njogel at Tête à Tête

Njogel opens with spectacular beauty, with a small wooden ship bobbing up and down along a ship’s boom, its furled sail representing the waves of the sea around the Shetland…

August 11, 2014 in Fringe, New writing, Opera.

Yes and Noh: Spirit Harbour by Opera Kitsune at Tête à Tête

A stylised and intense form of high drama, Japanese Noh is undoubtedly as well suited to operatic treatment as Greek tragedy. Powerful emotions, violent actions and brutal social strictures abound…

August 5, 2014 in Fringe, New writing, Opera.

That Woman: Edward and Mrs Simpson at Tête à Tête

None of our Royals’ chaotic personal arrangements have been so constitutionally cataclysmic as Edward VIII’s passion for Wallis Simpson. Britain’s flag-waving fervour during the Royal Wedding, the Jubilee and the…

July 31, 2014 in Fringe, New writing, Theatre.

The pain of finite hearts that yearn: Possession! at Tête à Tête

Unfortunately, despite strong instrumentation and committed singing, Possession! just doesn’t quite work in practice, and remains permanently hamstrung by its flat production. We leave this opera, therefore, an extremely long way…

July 30, 2014 in Fringe, New writing, Opera.

Promising Much: The Fisherman’s Brides at Tête à Tête

The Fisherman’s Brides is a small opera set in a Highland fishing village, giving voice to the thoughts and fears of the women left behind as their men go off to…

July 30, 2014 in Fringe, New writing, Opera.

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