Operissima

Charlotte Valori reviews opera & theatre: in East Anglia and beyond…

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Monthly Archives: August 2014

Biting the hand that feeds: Madame X at Grimeborn

Masetto (now an impoverished immigrant artist, more reminiscent of Puccini’s poet Rodolfo than Mozart’s Masetto) and Zerlina (all girlish scruples definitely removed, along with most of her charm) encounter Don Giovanni…

August 29, 2014 in Fringe, New writing, Opera.

Luxurious, plaintive and dark: Massenet’s Werther, Grimeborn

Massenet’s Werther is a tragic tale of unrealised and forbidden passion between a dutiful wife (Charlotte) and her husband Albert’s best friend, Werther, whose final, violent resolution comes at that most…

August 22, 2014 in Opera.

Pseud Psychic: Gian Carlo Menotti’s The Medium at Grimeborn

OperaView have created a small and intense production in which Menotti’s music comes across clearly: a ravishing piano accompaniment, played by Maite Aguirre, veers from schmaltzy sweetness, reminiscent of a…

August 18, 2014 in Fringe, Opera.

A gloriously inventive night at Tête à Tête: Psyche, On the Axis Of This World and Encounters In The Republic Of Heaven

Psyche – Alex Groves Psyche asks us to get up close and personal with opera (alone, barefoot and blindfolded) for ten minutes, and the results are, to me, spine-tingling. On…

August 14, 2014 in Fringe, New writing, Opera.

The Shetland Isles are “Full of Noises”: Njogel at Tête à Tête

Njogel opens with spectacular beauty, with a small wooden ship bobbing up and down along a ship’s boom, its furled sail representing the waves of the sea around the Shetland…

August 11, 2014 in Fringe, New writing, Opera.

Yes and Noh: Spirit Harbour by Opera Kitsune at Tête à Tête

A stylised and intense form of high drama, Japanese Noh is undoubtedly as well suited to operatic treatment as Greek tragedy. Powerful emotions, violent actions and brutal social strictures abound…

August 5, 2014 in Fringe, New writing, Opera.

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